Lens Aperture, Shutter Speed and ISO

Lens aper­ture, shut­ter speed and ISO are the three pri­mary adjust­ments avail­able to achieve a prop­erly exposed pho­to­graph. These set­tings can also affect the image qual­ity and artis­tic effects of your photography.

Lens Aper­ture

The aper­ture is the size of the open­ing in the cam­era lens at the moment a photo is taken.  Aper­ture is mea­sured in frac­tions, so the larger the num­ber, the smaller the aper­ture open­ing.  Shut­ter speed and aper­ture are the two pri­mary con­trols for lim­it­ing the amount of light that hits the cam­era sen­sor.  Aper­ture also con­trols the depth of field.  A small aper­ture will pro­duce a pho­to­graph with almost all objects in focus.  A large aper­ture will pro­duce a pho­to­graph with a small amount  of the objects in focus.  This will give you con­trol over what you want in focus. That is why I pri­mar­ily use the aper­ture pri­or­ity cam­era set­ting in my photography.

Typ­i­cal aper­tures include:   f1   f1.4    f2     f2.8     f4     f5.6    f8     f11     f16     f22     f23 f45

Cam­era Shut­ter Speed

Shut­ter speed is the amount of time the shut­ter remains open when a photo is taken.  Shut­ter speed and aper­ture together deter­mine just how much light hits the film or cam­era sen­sor.  The shut­ter speed is also a frac­tion, just like the aper­ture.  A shut­ter speed of 500 is actu­ally 1/500, or “one five hun­dredth of a sec­ond. To hand hold a cam­era, the rule of thumb is a 50mm lens can be hand-held at 1/60 of a sec­ond.  A 200mm lens at 1/200 of a sec­ond and so on.  To achieve this you can adjust the aper­tures or the ISO settings.

Typ­i­cal shut­ter speeds:  30s    20s    10s   4s   2s   1s   1/2s    1/4s     1/8s   1/15s    1/30s   1/60s   1/125s     1/250s     1/500s    1/1000s    1/2000s    1/4000s

Cam­era Sen­sor ISO

The sen­si­tiv­ity of film or cam­era sen­sor is mea­sured by ISO, and the larger the num­ber, the more sen­si­tive the cam­era sen­sor.  ISO 100 needs a lot of light, like out­doors on a sunny day.  ISO 1600 doesn’t need much light.  How­ever, higher ISO means more grain in the film and more noise in dig­i­tal.  Dig­i­tal images bor­row the ISO scale to mea­sure the sen­si­tiv­ity of film.  Just like the grain that’s added to film at higher ISO set­tings, more “noise” is added to dig­i­tal images at higher ISO.  In gen­eral, as ISO goes up, qual­ity goes down.  Some of the new mid to high-end D-SLR have improved the noise lev­els at the higher ISO set­tings up to ISO 1600.  Some of the new cam­eras have ISO set­tings between 100 and 102400.

Typ­i­cal ISO set­tings:   50   100   200 400   800   1600   and high ISO 3200 6400

Con­clu­sion

My basic cam­era set­tings I use related to this arti­cle  are: ISO 100 for best image qual­ity  and set cam­era to aper­ture pri­or­ity.  Also, use a tri­pod when ever pos­si­ble.  All three set­tings work in con­cert and affect proper expo­sure.  All have their advan­tages an dis­ad­van­tages, so exper­i­ment with all of  these set­tings and you will become a bet­ter photographer.

Ref­er­ence

Hear is a nice Expo­sure Chart

 

Doug Nie­der­miller Photography

 

 


Adobe Lightroom 2

 

 

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Comments

  1. Toni Aull says:

    I so surely appre­ci­ate this info. –I have a pas­sion for aper­ture and macro with ISO cre­at­ing light and or adjust it in the dark…

    Thank You Doug
    P.S. Keep it coming

  2. Miguel says:

    Doug, thanks for your tips, for some many of us that don’t have the resources of going to sem­i­nars, train­ing clases, etc. your tips from your expe­ri­ence fill those needs very well
    thanks again
    @donpatos

  3. ficovh says:

    Nice con­cepts, some­times I shot in man­ual mode in my old Nikon D70, with the attached flash can’t con­troller the light in both out­door and indoor.

    Inte­grated flash is cool, man­ual mode also, some­time my pics are over-exposed, and do cor­rec­tions with Lightroom.

    You web site is cool, I hope learn more from you.

    Regards.

    • Doug says:

      Hi ficovh

      Thank you for the kind words. I am glad you enjoyed my website.

      Here are a few things you might try.

      The D70 has the few fea­tures that might help you with exposure.

      First thing, I would shoot in the RAW file for­mat. RAW files have all the infor­ma­tion and will even have more detail in the shad­ows and high­lights that are lost in the JPG file for­mat. JPG files from your cam­era dis­cards a lot of use­ful infor­ma­tion that can help in post pro­cess­ing. I see you use Light­room which sup­ports RAW files. After you adjust them in Light­room, just export them as JPG file for­mat as needed.

      Use the his­togram on your cam­era and try to keep the graph some­where in between ether side of the his­togram box. This will give you the best expo­sure pos­si­ble. If the graph goes beyond the right or left it will be over or under exposed. This is called clipping.

      Con­sider using the expo­sure com­pen­sa­tion func­tion in Aperture-Priority or Shutter-Priority. Use this func­tion if your His­togram is clip­ping. In man­ual mode this can be done by adjust­ing the Aper­ture or Shut­ter so that you com­pen­sate by over or under expos­ing as needed to get the His­togram not to clip as much as pos­si­ble. Just note that if you have really bright or dark spots in your pho­to­graph you may not be able to remove all the clipping.

      One more option to con­sider is the expo­sure brack­et­ing func­tion. In this func­tion you will take 2 or 3 frames (I set to mine to 3 frames and +/- 5EV in incre­ments 1/2) 1 would be prop­erly exposed, 1 over exposed and 1 under exposed. Then in Light­room pick the one with the best exposure.

      Check you’re man­ual on how to use these func­tions or if you don’t have a man­ual go to Nikon’s web­site http://www.nikonusa.com/pdf/manuals/dslr/D70_en.pdf for an online manual

      Good luck
      Doug Niedermilleer

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