Fun with Topaz Labs Lens Effect Plug-in

Topaz Labs Lens­ing Effect is a Pho­to­shop plug-in that adds real­is­tic depth of field sim­u­la­tion and cre­ative fil­ters like  neu­tral den­sity, polar­iz­ing, fog, prism affect, soft focus, and much much more.  This gives you the flex­i­bil­ity after the shot to add some pretty cool effects with­out the cost of expen­sive lenses and add-on fil­ters.  The plug-in works with Adobe Pho­to­shop CS 3 – CS 5.5  (32–bit and 64–bit),Adobe Pho­to­shop ele­ments 6–10, Adobe Light­room 2 and 3 via Topaz fusion express (free with Plug-in), Irfan­view, paint shop Pro, photo impact,Serif photo plus.  In the Mac world it works with Adobe Pho­to­shop CS3CS5.5 (32–bit and 64–bit), Adobe Pho­to­shop ele­ments 6–10, Apple Aper­ture 2 & 3, Light­room 2 & 3 and iPhoto via Topaz fusion express. The slideshow video below is a demon­stra­tion of before and after pho­tos using Topaz Labs Lens Effects. Some of the pho­tos effects have been exag­ger­ated to show what this pro­gram can do.  Just mak­ing sub­tle adjust­ments to your pho­tos can make a big dif­fer­ence in the mood and qual­ity of the pho­tos.  Don’t for­get you can try a full ver­sion of Topaz Lens Effects or any of the other Topaz Labs plug-ins for 30 days free.  Just below the before and after slide show are a cou­ple of YouTube tuto­ri­als on how to use Topaz Labs Lens Effects.

Overview of Topaz Lens Effects.

Intro­duc­tion to Topaz Lens Effects.

Tuto­r­ial Topaz Lens Effects.

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Shooting with the Nikon D7000 at Lynda.com

Nikon D7000

Shoot­ing with the Nikon D7000 dig­i­tal SLR cam­era – The author, Ben Long, pro­vides a detailed overview of all the func­tion­al­ity of the Nikon D7000 dig­i­tal SLR cam­era.   Ben has authored 9 pho­tog­ra­phy train­ing videos for Lynda.com to date.  The course starts off with what is a DSLR then moves on to how to attach your lenses, using the dif­fer­ent modes, chang­ing image for­mat size, how to use auto expo­sure brack­et­ing, shoot­ing videos, clean­ing your cam­era  and so on. I found Ben’s pre­sen­ta­tion of this course very easy to under­stand and com­plete. After com­plet­ing this course,  you will be able to use your cam­era and all its func­tions. Though you may not use every sin­gle func­tion on this cam­era, but by view­ing the entire course you will have an idea of what func­tions are avail­able and be able to deter­mine what are most impor­tant to you. I have had sev­eral dig­i­tal SLR cam­eras and find the best way to get up to speed in a short period of time with these cam­eras is to view a video like this one on the Nikon D7000. The man­u­als are nice for quick ref­er­ence out in the field but, spend­ing hours read­ing these man­u­als is enough to put any­body to sleep.  So, if you have the Nikon D7000 or would like to learn more about Nikon D7000 try out the video sam­ples below and see if this video tuto­r­ial is right for you.  The dura­tion of the com­plete course is 3 hours and 33 min.  It was released on 10/28/2011.  There are sev­eral other cam­eras avail­able like the Nikon D 5000,Canon 60D and the Canon Rebel T3i (600D and Kiss X5),  These, and many other video tuto­ri­als are also avail­able at on DVD at Lynda.com.

This video below is on all the but­tons and con­trols on the Nikon D 7000

Learn it all. Learn it fast. Learn it now.

This video below is about using the con­tin­u­ous shoot­ing mode.

This video below is on using and set­ting the white bal­ance on your cam­era.

This video below is about how to use the auto expo­sure brack­et­ing fea­ture on this cam­era.

Learn it all.

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Topaz Adjust 5 Just Released

Topaz Adjust 5Topaz labs has just announced its release of Topaz adjust 5. As an owner of Topaz adjust. I get a free upgrade. The new ver­sion has 107 new pre­sets, a selec­tive brush that allows you to dodge burn smooth and brush out adjust­ments, a new apply but­ton which allows you to stack mul­ti­ple effects and pre­sets. Dur­ing the same work­flow and a fin­ish­ing touch tap which adds a few more options like warmth, grain, trans­parency and more.

I had a chance to try this plug-in out last night and these are major upgrades to the plug-in. You can check out the video below to see more about how Topaz adjust 5 works. If you have Topaz adjust already you can upgrade it for free. If you don’t you can try it out free for 30 days. From now until 11/30/2011 Topaz labs is offer­ing a 30% dis­count on Topaz adjust 5. Just enter the coupon code “ADJUSTME” when purchasing.you can also get that same 30% dis­count towards the Topaz bun­dle or any on the lot great as well. along with Topaz adjust 5 they have nine other plug-ins, includ­ing topaz B&W effects, Topaz sim­plify, Topaz clean, Topaz DeJPEG, Topaz lens affect, Topaz, the noise, Topaz detail, Topaz three mask and Topaz in focus. All of these plug-ins are included in the Topaz bundle.

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Learn High Dynamic Range Photography (HDR)

HDR photograph of the old schoolhouse in Leadville ColoradoA cou­ple of weeks ago Linda.com announced it had a new train­ing course called Shoot­ing and Pro­cess­ing High Dynamic Range Pho­tographs (HDR). I found this course to be Com­plete and com­pre­hen­sive for begin­ners to advanced. This course is 4 hours 55 min. long. It cov­ers pro­grams like Adobe Pho­to­shop CS5 , the new Nik soft­ware HDR Efex Pro and the most pop­u­lar HDR­soft Pho­tomatix Pro. The Instruc­tor (Ben Long) was easy to under­stand with step by step instruc­tions on cam­era set­ting, shoot­ing tech­nique, and all aspects of using the pro­grams. I found many sim­ple tricks in this course that allowed me to improve my HDR pho­tog­ra­phy. Below is a video sam­ple of the train­ing course shoot­ing and pro­cess­ing high dynamic Range photography.

Find your pas­sion – learn your passion

If you want to learn a new pro­gram like HDR pho­tog­ra­phy. Then you will come to the right place.but Linda.com has a whole lot more than just pho­tog­ra­phy every­thing from oper­at­ing sys­tems, Pho­to­shop, graphic arts, busi­ness appli­ca­tions, com­puter pro­gram­ming and so on. All in indexed short mod­ules which means you can jump to the par­tic­u­lar sec­tion that you’re look­ing for. Many of these courses are eight hours or longer in length. You can try out any of the courses at Lynda.com at any time. Just look for the mod­ule titles in light blue and click on them to view these videos for free. So don’t take my word for it try Linda.com for yourself.

One more thing if you are look­ing for a new career or a new job. Linda.com is a great place to improve your com­puter skills or learn a whole new career at the frac­tion of the cost of a col­lege or tech­ni­cal school.

Learn Shoot­ing and Pro­cess­ing High Dynamic Range Pho­tographs (HDR) at Lynda.com

7-day free trial to lynda.com.

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Topaz Labs B&W Effects Plug-in

Visit Topaz Labs Web SiteTopaz Labs released their new B&W Effects plug-in last August. I have not yet tried this new plug-in, But if it is as good as the rest of the Topaz Labs plug-ins like my favorites Adjust and Sim­plify. It should be a great addi­tion to the Topaz Labs Lineup. In the near future I will be test­ing out this plug-in and let­ting you know what I find. In the mean­time below is a descrip­tion of what this plug-in can do.

Visit Topaz Labs B&W Effects Plug-in Topaz B&W Effects, is their new black and white enhance­ment plug-in for Pho­to­shop. Topaz B&W Effects goes beyond basic con­ver­sion meth­ods, giv­ing users the tools to make detailed and styl­ized enhance­ments, in addi­tion to his­tor­i­cally accu­rate, tra­di­tional black and whites. And with over 150 pre­sets, users can quickly enhance any image with a 1-click work­flow. In addi­tion to the com­mon con­ver­sion tools, B&W Effects is packed with spe­cial­ized expo­sure and con­trast con­trol, real­is­tic ton­ing abil­ity, styl­ized effects and so much more. Cat­e­go­rized into tra­di­tional and alter­na­tive processes such as Cyan­otype and Albu­men, B&W Effects also includes a vari­ety of pre­sets that offer a fun and sim­ple way to cre­ate impres­sive imagery,” said Nic­hole Paschal, senior mar­ket­ing spe­cial­ist for Topaz Labs.

The abil­ity to con­trol expo­sure, detail, con­trast and tone is very essen­tial in mono­chro­matic images. Topaz B&W Effects fea­tures unique tools like adap­tive expo­sure, a five-in-one selec­tive brush, an advanced grain engine, quad ton­ing, cre­ative effects and fin­ish­ing effects to help enhance these black and white essen­tials in an intu­itive way. Accu­rately sim­u­lat­ing the look and feel of his­toric black and white film, although quite chal­leng­ing, was a key ele­ment in mak­ing our pro­gram so unique. We actu­ally took real film scans and devel­oped them into the soft­ware,” said Dr. He Yang, senior soft­ware designer at Topaz Labs. Dr. Yang, who spent tremen­dous effort work­ing on the film sim­u­la­tion and the B&W pro­cess­ing engine, adds, “I am glad to see very pos­i­tive feed­back from the cur­rent ver­sion. As always, we are going to con­tinue in our efforts to improve upon this release and pro­vide bet­ter imag­ing tools to the pho­tog­ra­phy com­mu­nity. Topaz B&W Effects is a plug-in that works with Pho­to­shop, Pho­to­shop Elements,Aperture, iPhoto, Light­room and PaintShop Pro. It is com­pat­i­ble with Win­dows XP or later and Intel-based Macs run­ning OS X 10.5 or later.Photographers look­ing a great way to cre­ate high-impact black and white images invited to try out the new Topaz B&W Effects plug-in for free using the 30-day free trial.

Other related posts.

 

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Build or Buy a Computer for Lightroom 3

Look­ing to speed up  Light­room 3?  In my last arti­cle, Speed Up Light­room 3, I talked about set­ting up pref­er­ences in Light­room 3 to increase per­for­mance and adding a few small upgrades to help speed things up.   But, some­times, your com­puter may be too old to make a dif­fer­ence. you may need a major upgrade or a new computer.

I recently upgraded my own com­puter and saw sig­nif­i­cant Light­room 3 speed increases. Well, it’s basi­cally a brand-new PC at this point. My old com­puter had a Giga­byte brand moth­er­board with the Pen­tium D dual core proces­sor 2.8 GHz proces­sor with 4 GB of mem­ory. Here is a list of the com­po­nents I used to build my new PC:

Case – Cooler Mas­ter Haf 912 with three addi­tional optional fans. Five fans total. Why so many fans? Heat can kill a com­puter or at least slows it down. A cool PC is a happy PC.

Power Sup­ply – Antec 520 Watt high cur­rent power supply.

Moth­er­board – Giga­byte brand model Z68X-Ud3-B3 dis­con­tin­ued. (Update Decem­ber 2011 new gen­er­a­tion moth­er­board Giga­byte brand model GA-Z68X-UD3H-B3) This is my third Giga­byte brand moth­er­board I have installed in my com­put­ers. I just install them and they work.GIGABYTE GA-Z68X-UD3-B3 LGA 1155 Intel Z68 SATA 6Gb/s USB 3.0 ATX Intel Motherboard

  • LGA1155 CPU Socket
  • Intel® Z68 Express Chipset
  • 4 x 1.5V DDR3 DIMM sock­ets sup­port­ing up to 32 GB
  • 2 x SATA 6Gb/s connectors
  • 4 x SATA 3Gb/s connectors
  • Up to 14 USB 2.0  ports 8 external
  • Up to 4 USB 3.0  ports 2 external
  • ATX Form Fac­tor; 30.5cm x 24.4cm
  • 6 x audio jacks
  • Up to 2 IEEE 1394 port 1 external

Intel-Core-I7-2600kCPU – Intel Core I7 2600k 4 core / 8-Way Mul­ti­task proces­sor. Unlocked 3.4 GHz and 3.7 GHz in turbo mode. This proces­sor and moth­er­board com­bi­na­tion can be over clocked but it is not nec­es­sary at this time.

Mem­ory – 2–Gskill, 4GB, 2 chan­nel DDR3 1600 mem­ory mod­ules for a total of 8 GB.

I used my old hard drive. Sea­gate 1TB

I also used my old video card – EVGA GeForce 9500 GT 512MB video card. New ver­sion EVGA GeForce GT 430 1GB

Oper­at­ing Sys­tem – Win­dows 7 Pro­fes­sional.

Upgrad­ing the PC to this new con­fig­u­ra­tion has dra­mat­i­cally improved my per­for­mance when using a pro­gram like Light­room 3. Just start­ing up Light­room would take approx­i­mately 60 sec­onds and now it only takes 3 sec­onds. Other Pro­grams like Pho­tomatix Pro, an HDR plug-in for Light­room used to take 5 to 6 min­utes to process, now takes less than a minute. Another pro­gram I use is Proshow Gold, a slide show pre­sen­ta­tion pro­gram, also saw dra­matic improvement.

Win­dows 7 is a real improve­ment over Win­dows XP. I chose Win­dows 7 Pro­fes­sional because it has a Win­dows XP emu­la­tion mode that allows me to run older soft­ware that is only com­pat­i­ble with Win­dows XP.

Con­clu­sion

Cooler Master HAF 912Upgrad­ing this com­puter was well worth the expense of about $700 to $800. You may not want to build a com­puter your­self, but if you’re look­ing to pur­chase a new com­puter you can use the spec­i­fi­ca­tions here to give you a guide on what to look in spec­i­fi­ca­tions. I hope this arti­cle helps you in your pho­tog­ra­phy edit­ing and improves your Light­room experience.

In a future arti­cle I will dis­cuss drive man­age­ment — how to pro­tect your pho­tos and data.

Places to buy com­puter and com­puter parts

Newegg

Com­pusa

Learn more about Light­room 3

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Cameras For HDR Photography

View HDR photos in LeadvilleHere’s what to look for in a cam­era for HDR pho­tog­ra­phyHDR, or High Dynamic Range ‚Pho­tos start  off as 3 or more sep­a­rate pho­tographs at 3 or more dif­fer­ent expo­sures  and then are com­bined with pro­grams like Pho­tomatix.  This process allows one to see the detail in the shad­ows and high­lights that may be lost in a sin­gle pho­to­graph.  It also has the abil­ity to cre­ate some pretty cool spe­cial effects. The first thing we are going to fig­ure out is what cam­eras will be best suited for HDR pho­tog­ra­phy.  The num­ber one cam­era func­tion for this is AEB, or Auto Expo­sure Brack­et­ing.  Many of the new dig­i­tal cam­eras on the mar­ket today have this func­tion. Once you setup this func­tion you can shoot mul­ti­ple pho­tos by press­ing and hold­ing the shut­ter release until all 3 or more pho­tos are taken. All pho­tos will be shot at the same aper­ture but at dif­fer­ent shut­ter speeds.  One with a proper expo­sure, one over­ex­posed and one underexposed.

View HDR photos in Cape AnnBefore we get into cam­era setup,  we need to under­stand the rela­tion­ship between expo­sure com­pen­sa­tion and the EV, or Expo­sure Value. A +1 EV is equal to +1 stop — that means dou­bling of the time the shut­ter is open. In the other direc­tion a –1EV is equal to –1 stop — that means cut­ting the time the shut­ter is open by one half.

For best results shoot­ing HDR we want a cam­era with a min­i­mum of + /– 2EV for a total of 4EV range.  Also look for a cam­era with a high frames per sec­ond rate (fps). Just remem­ber the best cam­eras for HDR run in the $3000 to $7000 range.  But don’t worry, the lower priced mod­els do a good job as well.  The cam­era I use is my new Nikon D300s that works great and my older Nikon D80 that does a pretty good job as well.

Cam­era Setup

For best results set the cam­era to the RAW file for­mat, if avail­able.  RAW files have all the  infor­ma­tion and will even have more detail in the shad­ows and high­lights that are lost in the JPG file for­mat.  JPG files from your cam­era dis­cards a lot of use­ful infor­ma­tion that can help in HDR post pro­cess­ing.  Set the expo­sure com­pen­sa­tion EV steps to 1 or 2. (2 is bet­ter, if avail­able).  Com­mon val­ues in cam­eras are 1/3, ½, 2/3, .7, 1, 2, 3.  Set the cam­era to auto expo­sure brack­et­ing.  Set the num­ber of View HDR photos in Lake City Coloradoexpo­sures (most cam­eras have at least 3 but some have 5, 7 or 9).  Just remem­ber, cam­eras with a max­i­mum 1EV or less may require 5, 7, or even 9 expo­sures to achieve a 4EV range or more.  Set camera’s burst rate to high, if avail­able.  This will min­i­mize ghost­ing of mov­ing objects.  Set the cam­era to Aper­ture Pri­or­ity.  For best results install the cam­era on a sturdy tri­pod and con­nect a remote cable shut­ter release.  I do not rec­om­mended hand hold­ing your cam­era.  You are now ready to shoot.

You can com­bine your brack­eted pho­tos in pro­grams like Pho­tomatix or Pho­to­shop among others.

Below is a list of cam­eras that meet the min­i­mum require­ments or bet­ter for HDR.  I only listed Canon and Nikon in this chart.  If your cam­era is not on this list it may still be good for HDR.  Check you cam­era man­ual for the auto expo­sure brack­et­ing spec­i­fi­ca­tions.  Please share your ques­tions or com­ments below and we will get back to you.

Want more infor­ma­tion on HDR Pho­tog­ra­phy, check out these books at barnes & Noble. Books on HDR
icon

Nikon D2X Nikon D2Xs Nikon D2H Nikon D3 Nikon D3s Nikon D3x Nikon D50 Nikon D60 Nikon D70 Nikon D80 Nikon D90 Nikon D200 Nikon D300 Nikon D300s Nikon D5000 Nikon D7000 Canon EOS-1D Mark IV Canon EOS-1Ds Mark III Canon EOS-1D Mark III Canon EOS-1Ds Mark II Canon EOS-1D Mark II N Canon EOS D5 Canon EOS D5 Mark II Canon EOS D7 Canon EOS 10D Canon EOS 20D Canon EOS 30D Canon EOS 40D Canon EOS 50D Canon EOS 60D Canon EOS Rebel Canon EOS Rebel XT Canon EOS Rebel XTi Canon EOS Rebel XSi Canon EOS Rebel T1i Canon EOS Rebel T2i

Want more infor­ma­tion on HDR Pho­tog­ra­phy, check out these books at Barnes & Noble. Books on HDR
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Compare the Advanced Point and Shoot Cameras

Below is a com­par­i­son of the Canon Pow­er­Shot G12, Nikon CoolPix P7000 / P7100, Pana­sonic Lumix DMC-LX5 and the Sam­sung TL500.  I am really excited about these Advanced Point and Shoot cam­eras.  First of all, they sup­port the RAW file for­mat which is what I shoot.  RAW files used in these cam­eras will keep all the  infor­ma­tion needed for  post pro­cess­ing and the data will  have more detail in the shad­ows and high­lights that are lost in the JPEG file for­mat.  JPEG files from your cam­era dis­cards a lot of use­ful infor­ma­tion that will help in post pro­cess­ing.  These cam­eras would make a great backup for a pro or advanced ama­teur and a fan­tas­tic light com­pact cam­era for travel.  Each of these cam­eras have their strong points.  The chart below the video com­pares the fea­tures  that I per­son­ally look for in a cam­era.  You may have your own opin­ion on what’s impor­tant to you, but this is a good place to start.

Com­pare Cam­era fea­tures Chart

Canon Pow­er­Shot G12 Dig­i­tal Camera

View more photos of the Canon G12While remain­ing true to many of its predecessor’s fea­tures, the G12 comes bust­ing out of the gate with what’s fast becom­ing a stan­dard on dig­i­tal cam­eras: dig­i­tal video (with stereo sound no less!). Shoot 1280 x 720p HD video with stereo audio using this com­pact, yet ver­sa­tile cam­era. In addi­tion to rid­ing the video tide the G12 also stays com­pet­i­tive with its 10MP still image cap­ture. Shoot RAW and JPEG files to SD/SDHC/SDXC mem­ory cards, among oth­ers, with the help of the camera’s 1/1.7″ CCD image sen­sor and DIGIC 4 image proces­sor, oth­er­wise referred to as Canon’s HS Sys­tem. The G12 addi­tion­ally sports a 3200 ISO set­ting for excel­lent shoot­ing in low light set­tings. Another notable fea­ture on the G12 is its High Dynamic Range. Based on the prin­ci­ple of brack­et­ing, HDR helps you cap­ture a well bal­anced image that presents both high­lights and low lights (AKA: shadow) in an appeal­ing man­ner — giv­ing your images that pop fac­tor! This func­tion also has an aspect to it named, i-Contrast. i-Contrast lets the user deter­mine the amount of HDR cor­rec­tion that’s applied to the image, which can be help­ful in avoid­ing high­light blowout and keep­ing details from get­ting lost in the shad­ows. Canon’s Track­ing AF also comes into play here by allow­ing the shooter to select a sub­ject to ‘track’ in case of move­ment while shooting.

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Nikon CoolPix P7000 Dig­i­tal Camera

Note: Nikon has updated this Cam­era with a new model (Nikon CoolPix P7100) it is basi­cally the same cam­era. They fixed a few of the bugs, added a very angle dis­play, at Improve the auto focus and improve the shut­ter response. August 2011

View more photos of the Nikon CoolPix P7000The Nikon CoolPix P7000 isn’t loaded down with friv­o­lous bells and whistles–it’s got seri­ously awe­some bells and whis­tles like a 10.1MP CCD sen­sor, a sharp, wide-angle to tele­photo 7.1x opti­cal zoom lens (28-200mm 35mm equiv­a­lent) made with Nikon ED glass, 720p HD video, 1.3 frames per sec­ond shoot­ing at full res­o­lu­tion, 5-way image sta­bi­liza­tion for sharp pho­tos even in low light, and a beau­ti­ful 921,000-dot high res­o­lu­tion 3″ LCD dis­play.  And you can shoot using JPEG or RAW for­mat for ulti­mate con­trol over your images. But there’s a lot more. Fast auto focus and start-up, so you never miss a pic­ture wait­ing for your cam­era to catch up. Low Noise Night Mode for beau­ti­ful pho­tos with­out flash at night, with min­i­mal noise. Or Sub­ject Track­ing to auto­mat­i­cally track and auto focus on a mov­ing sub­ject; video record­ing with opti­cal zoom and stereo sound; and 18 scene modes includ­ing the Scene Auto Selec­tor, which auto­mat­i­cally rec­og­nizes any shoot­ing sit­u­a­tion and opti­mizes all the set­tings for that scene.

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Pana­sonic Lumix DMC-LX5 Dig­i­tal Camera

View a 3D photo of the Panasonic LX5By com­bin­ing a high-quality lens and sen­sor ready for a vari­ety of shoot­ing con­di­tions with a wide-range of acces­sories and man­ual con­trols, the Pana­sonic Lumix DMC-LX5 is ideal for pro­fes­sional pho­tog­ra­phers and seri­ous ama­teurs look­ing for a com­pact dig­i­tal cam­era that allows for a full range of cre­ative pho­tog­ra­phy capa­bil­i­ties. The cam­era incor­po­rates a wide angle f/2.0 aper­ture Leica DC Vario– Sum­mi­cron lens with 3.8x wide-angle opti­cal zoom (equiv­a­lent to 24mm — 90mm on a 35mm film cam­era) and the MEGA O.I.S. (Opti­cal Image Sta­bi­lizer) sys­tem. The cam­era also incor­po­rates an enhanced 1/1.63-inch CCD that is capa­ble of cap­tur­ing 10.1-Megapixels and has been designed to pro­vide more space for each pixel to min­i­mize image noise and opti­mize image qual­ity and dynamic range. The CCD is also capa­ble of repro­duc­ing images in 4 aspect ratios (4:3, 3:2, 16:9 or 1:1), and the Multi Aspect mode allows the cam­era to take an image in all three aspect ratios simul­ta­ne­ously. It also boasts the Venus Engine FHD high per­for­mance image pro­cess­ing LSI to dra­mat­i­cally reduce image noise (even using the high sen­si­tiv­ity set­ting of ISO 12800), and pro­vide fast shoot­ing per­for­mance with an incred­i­bly fast shut­ter lag, and burst shoot­ing capability.

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Samsung’s TL500 Dig­i­tal Camera

View a 3D photo of the Samsung TL500Sam­sung TL500 is their most ambi­tious point-and-shoot yet: a 10-megapixel cam­era with a F1.8–2.4 Schneider-KREUZNACH 35mm equiv­a­lent 24-72mm lens that is one of the fastest and one of the widest lenses in this category. This gives the TL500 a decided edge in shoot­ing under low-light con­di­tions and pro­vides a more pro­fes­sional look for your pho­tos (the 24mm lens is a work­horse for many pro­fes­sion­als, but rarely found in this class of cam­era). Cou­pled with ISO rat­ings stretch­ing up to 3200 and the Dual Image Sta­bi­liza­tion sys­tem, the TL500 can han­dle almost any sit­u­a­tion that you encounter. In addi­tion to a wide range of shoot­ing and focus­ing modes, cre­ative color effects (Sketch, Defog, Soft, Vivid, For­est, Retro, Cool, Calm, Clas­sic, Neg­a­tive, Cus­tom RGB), auto­matic opti­mized set­tings for com­mon sit­u­a­tions (Night, Por­trait, Fire­works, Macro, Sun­set, Back­light, etc.), and a “smart” fil­ter that gives you fish-eye, vignetting, and “minia­ture” effects; the TL500 gives you pro­fes­sional tools like a hot-shot for an aux­il­iary flash (in addi­tion to the built-in flash), plus RAW and JPEG shoot­ing capa­bil­ity for get­ting the absolute best from your photographs.

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Con­clu­sion

All 4 of these cam­eras will take stun­ning pho­tographs, but in my opin­ion, the Nikon takes first place.  I really like the 5 expo­sure auto brack­et­ing (great for HDR), opti­cal viewfinder, 28-200mm (35mm equiv.) F2.8 lens and stereo input jack for video.  Canon takes a close sec­ond place with many of the fea­tures of the Nikon.  The Canon also has a cool under­wa­ter mode (requires under­wa­ter hous­ing), an HDR mode and a Vari-Angled LCD screen. Pana­sonic has a leg­endary Leica 24-90mm (35mm equiv.) F2.0–3.3  lens and you can get an optional Exter­nal Live View Finder. Sam­sung has a very wide-angle 24-72mm (35mm equiv.) fast F1.8-F2.4 Schnei­der lens. Depend­ing on your needs, any of these cam­eras will do the trick.  So do your home­work and get the cam­era that’s right for you.

 

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Photography Courses at Lynda.com

Learn it all.lynda.com is a great resource for soft­ware video edu­ca­tion, but what you may not know is that Lynda.com also has edu­ca­tion videos on pho­tog­ra­phy and pro­files on pro­fes­sional pho­tog­ra­phers.   I’m a visual leaner and I expect a good major­ity of you are too. Video train­ing is per­fect for me.  Learn­ing from a book or user man­ual takes a lot of time and, let’s face it, will prob­a­bly put you and me to sleep.  I really like Lynda.com.  This site has over 940 train­ing courses and Over 57,000 tuto­ri­als on all sorts of sub­jects, includ­ing,  of course, pho­tog­ra­phy.  But, it also has courses on Pho­to­shop (all ver­sions),   Light­room 2 & 3, video edit­ing, web design, MAC & PC oper­at­ing sys­tems, com­puter  pro­gram­ming, MS office and much more.  You can visit Lynda.com for a com­plete list of courses.  For a low monthly sub­scrip­tion fee you have access to all of the courses avail­able and you can can­cel at any time.  What I really like is that the courses  are set up into small mod­ules by indi­vid­ual top­ics, which means you can view only the parts you need.  Another thing I like is, lets say you’re look­ing to pur­chase a photo edit­ing pro­gram and can’t decide if it’s right for you, you can take a few lessons for that pro­gram to see if its right for you.  Any­ways, if you’re look­ing to learn some­thing new or sharpen up your skills for your job or even a new employ­ment, lynda.com is a real bar­gain and may be right for you.  Since this is a site on pho­tog­ra­phy, below is a list of pho­tog­ra­phy courses you may be inter­ested in.  Many of the courses are also avail­able on DVD for pur­chase.  One more thing — you can pre­view some of the mod­ules for any of the courses for free.  Look for lessons with the under­line and click on them to pre­view the les­son or mod­ule.  I use lynda.com and can highly rec­om­mend it.  So check this out!

Click here to get your 7-day free trial to lynda.com.

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Below are a few Pho­tog­ra­phy Courses at lynda.com

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Foun­da­tions of Pho­tog­ra­phy: Exposure

Descrip­tion

Author: Ben Long     Der­a­tion   (hr:min):  3:24      DVD com­ing soon!

Arriv­ing at the best expo­sure for a photo is part sci­ence and part art. In Foun­da­tions of Pho­tog­ra­phy: Expo­sure, Ben Long helps  Pho­tog­ra­phers expand their artis­tic options by giv­ing them a deep under­stand­ing of shut­ter speed, aper­ture, ISO, and all other crit­i­cal expo­sure prac­tices. This course cov­ers the basic expo­sure con­trols pro­vided by all dig­i­tal SLR cam­eras, as well as most advanced pointand­shoot mod­els. Learn how to mas­ter a camera’s meter­ing modes, how to use expo­sure com­pen­sa­tion and brack­et­ing, and much more. By the end of the course, you’ll know how to develop an “expo­sure strat­egy” that will allow you to effec­tively employ your expo­sure knowl­edge in any shoot­ing situation.

NOTE: In this course, the author men­tions a forth­com­ing install­ment in the Foun­da­tions of Pho­tog­ra­phy series, Foun­da­tions of Pho­tog­ra­phy: Lenses. We expect to pub­lish this course later this quarter.

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Dig­i­tal Pho­tog­ra­phy Prin­ci­ples: The Camera

Descrip­tion

Author: Der­rick Story    Dura­tion (hr:min): 3:17      Also avail­able on DVD

Even the sim­plest, most com­pact dig­i­tal cam­era is capa­ble of tak­ing magazine­quality shots, once the user has a work­ing knowl­edge of its fea­tures. In Dig­i­tal Pho­tog­ra­phy Prin­ci­ples: The Cam­era, Der­rick Story shows how to mas­ter and take advan­tage of every­thing from basic res­o­lu­tion set­tings to the lat­est imag­ing tech­nolo­gies. He teaches even begin­ning dig­i­tal pho­tog­ra­phers how to apply tech­niques that will have friends ask­ing, “How was that shot taken?”

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Prod­uct Pho­tog­ra­phy for ECommerce

Descrip­tion

Author: Dane Howard       Dura­tion (hr:min): 1:46       Also avail­able on DVD

In Prod­uct Pho­tog­ra­phy for E­Commerce, designer Dane Howard shows how to take professional-looking pho­tographs that show­case prod­ucts and build buy­ers’ trust. Using a prac­ti­cal approach, Dane cov­ers objects from col­lectible coins to real estate, and the lessons can be applied to just about any­thing that can be sold online.When it comes time to cap­ture images in the stu­dio, Dane dis­cusses how to select a cam­era and other equip­ment on any bud­get. He shares his favorite tips and tricks for get­ting the most out of cam­era angles, back­grounds, and scene light­ing. He reviews image edit­ing basics, such as crop­ping and retouch­ing pho­tographs, and explains how to take a pre­sen­ta­tion beyond a 360-­degree view with the inte­gra­tion of rich media.

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468x60 24 hour free pass

Other Courses

Below is a list of video courses just related to dig­i­tal pho­tog­ra­phy. Of course, there are many more titles, too long to list here.  This site has over 940 train­ing courses and over 57,000 tuto­ri­als, most are full length courses equal to a full semes­ter of col­lege.   For a full list visit lynda.com

Descrip­tion  -  Dura­tion (hrs:min) — Release Date

Deke’s Tech­niques    0:30    01/11

Foun­da­tions of Photography: Exposure    3:24    12/10

Richard Koci Hernandez, Multimedia Jour­nal­ist    1:45    12/10

iPhoto ’11 Essen­tial Train­ing    4:13    12/10

Pho­to­shop Ele­ments 9 Essen­tial Train­ing    11:20    11/10

Pho­to­shop Light­room 3 Advanced Tech­niques    6:45    11/10

Pho­to­shop Ele­ments 9: Scanning and Restor­ing Pho­tos    2:38    11/10

Pho­to­shop CS5 One­on­One: Mastery    20:01    09/10

Pho­to­shop CS5: Athletic Retouch­ing Projects    6:10    09/10

Pho­to­shop CS5: Fashion Retouch­ing Projects    4:29    09/10

Pho­to­shop CS5: Creative Com­posit­ing    4:41    09/10

Pho­to­shop CS5: Selections in Depth    3:45    08/10

Pho­to­shop CS5 One­on­One: Advanced    26:25    08/10

Pho­to­shop CS5: Creative Effects    7:19    07/10

Pho­to­shop CS5: Painting with the Mixer Brush    2:27    07/10

Pho­to­shop CS5: Portrait Retouch­ing    11:02    07/10

Pho­to­shop CS5 for the Web    5:59    07/10

Pho­to­shop CS5: Landscape Pho­tog­ra­phy    6:43    07/10

Photo Assignment: Off­Camera Flash    0:49    07/10

Natalie Fobes, Photographer    0:54    07/10

Pho­to­shop Light­room 3 Essen­tial Train­ing    13:24    06/10

Pho­to­shop Light­room 3 New Fea­tures    3:32    06/10

Pho­to­shop CS5 for Photographers: Camera Raw 6    6:28    05/10

Pho­to­shop CS5 for Pho­tog­ra­phers    12:25    05/10

Pho­to­shop CS5 One­on­One: Fundamentals    17:34    05/10

Pho­to­shop CS5 Top 5    1:09    05/10

Pho­to­shop CS5 Essen­tial Train­ing    11:15    04/10

Aper­ture 3 Essen­tial Train­ing    8:03    04/10

Pho­to­shop and Bridge CS5 for Pho­tog­ra­phers New Fea­tures    2:47    04/10

Pho­to­shop CS5 New Fea­tures    2:49    04/10

Get­ting Pro Results from a Com­pact Cam­era    1:01    01/10

Pho­to­shop Top 40    7:13    12/09

Prod­uct Pho­tog­ra­phy for E­Commerce    1:46    12/09

Pho­to­shop CS4: Image Com­posit­ing for Pho­tog­ra­phers    2:47    12/09

Pho­to­shop CS4: Smart Objects    8:11    11/09

Photo Assignment: Backlit Por­traits    0:24    10/09

Photo Assignment: Fill Flash Por­traits    0:17    10/09

Pho­to­shop Ele­ments 8 for Mac Essen­tial Train­ing    6:41    10/09

Photo Assignment: Natural Light Por­traits    0:22    10/09

Pho­to­shop CS4: Sharpening Images New Fea­tures    0:58    09/09

Pho­to­shop Ele­ments 8 for Win­dows Essen­tial Train­ing    8:50    09/09

Pho­to­shop CS4: Layer Masks in Depth    4:20    08/09

Pho­to­shop CS4: Color Cor­rec­tion    6:58    08/09

Flickr Essen­tial Train­ing    4:09    07/09

Pho­to­shop CS4: Selections in Depth    3:51    07/09

Rick Smolan, Photographer    1:17    06/09

Pho­to­shop CS4 Power Short­cuts    6:21    06/09

Pho­to­shop CS4: Image Adjust­ments in Depth    3:46    06/09

Pho­to­shop CS4 One­on­One: Mastery    13:08    05/09

Pho­to­shop CS4: Blend Mode Magic    2:58    05/09

Pho­to­shop CS4: Layers in Depth    7:40    05/09

iPhoto to Aperture: Going Pro    2:40    05/09

iPhoto ’09 Essen­tial Train­ing    2:56    05/09

Pho­to­shop CS4 One­on­One: Advanced    20:58    05/09

iPhoto ’09: 10 Things to Know About Face­book    0:52    04/09

Pho­to­shop CS4 Retouching: Fashion Pho­tog­ra­phy Projects    7:02    04/09

iLife ’09 New Fea­tures    2:18    04/09

iPhoto ’09: 10 Things to Know About Flickr    0:42    03/09

iPhoto ’09: 10 Things to Know About Places    0:45    03/09

iPhoto ’09: 10 Things to Know About Faces    0:46    03/09

Pho­to­shop CS4 for Photographers: Desktop Print­ing Tech­niques    5:11    02/09

Pho­to­shop CS4 Por­trait Retouch­ing Essen­tial Train­ing    12:23    02/09

Pho­to­shop CS4 for Photographers: Creative Color    4:28    01/09

Pho­to­shop CS4 for Photographers: Creative Effects    7:50    01/09

Pho­to­shop CS4 for Photographers: Camera Raw    7:04    12/08

Pho­to­shop CS4 One­on­One: Fundamentals    14:24    12/08

Pho­to­shop CS4 for Pho­tog­ra­phers    14:50    11/08

Pho­to­shop CS4 Essen­tial Train­ing    7:56    10/08

VUVOX Collage: Online Media Mashups    1:30    10/08

Pho­to­shop CS4 Get­ting Started    2:05    09/08

Pho­to­shop Ele­ments 6 for Mac Essen­tial Train­ing    8:23    09/08

Pho­to­shop Ele­ments 7 for Win­dows Essen­tial Train­ing    6:42    09/08

Pho­to­shop CS4 New Fea­tures    1:38    09/08

Big Space­ship Ani­mated Logo: Start to Fin­ish    0:17    08/08

Pho­to­shop Light­room 2 Essen­tial Train­ing    8:15    08/08

Aper­ture 2 Essen­tial Train­ing    5:50    07/08

Pho­to­shop Express Beta Essen­tial Train­ing    2:26    06/08

Beyond Skin: Going Deeper with Pho­to­shop CS3    3:57    06/08

Dou­glas Kirkland, Photographer    1:15    05/08

Dig­i­tal Pho­tog­ra­phy Principles: The Cam­era    3:17    03/08

Pho­to­shop CS3 Por­trait Retouch­ing Tech­niques    8:36    03/08

Pho­to­shop CS3 Por­trait Retouch­ing Essen­tials    10:20    03/08

Pho­to­shop Light­room 1.3 for Dig­i­tal Pho­tog­ra­phers    7:19    02/08

Pho­to­shop CS3 Sharp­en­ing Images    10:33    02/08

Aper­ture 2 New Fea­tures    1:17    02/08

Pho­to­shop CS3 Chan­nels & Masks: Advanced Tech­niques    20:48    11/07

iPhoto ’08 Essen­tial Train­ing    4:18    11/07

Pho­to­shop Light­room 1.1 New Fea­tures    2:06    10/07

Pho­to­shop CS3 Chan­nels & Masks: The Essen­tials    12:30    09/07

Pho­to­shop CS3 Cre­ative Pho­to­graphic Tech­niques    10:59    08/07

Pho­to­shop CS3 for Pho­tog­ra­phers    13:20    06/07

Pho­to­shop CS3 Color Cor­rec­tion    7:14    06/07

Pho­to­shop CS3 One­on­One: Advanced Tech­niques    9:36    04/07

Pho­to­shop CS3 One­on­One: Beyond the Basics    10:47    04/07

Pho­to­shop CS3 One­on­One: The Essen­tials    8:42    04/07

Pho­to­shop CS3 New Fea­tures    1:35    03/07

Pho­to­shop Light­room Essen­tial Train­ing    5:24    02/07

Dig­i­tal Asset Man­age­ment for Pho­tog­ra­phers    4:14    02/07

Aper­ture 1.5 Beyond the Basics    3:36    12/06

Pho­to­shop Ele­ments 5 Essen­tial Train­ing    12:57    10/06

Pho­to­shop CS2 Mas­ter­ing Cam­era Raw    11:49    10/06

Secrets to Sell­ing and Pub­lish­ing Pho­tog­ra­phy    5:57    08/06

Aper­ture 1.1 Essen­tial Train­ing    6:42    07/06

iPhoto 6 Essen­tial Train­ing    5:38    06/06

Enhanc­ing Dig­i­tal Pho­tog­ra­phy with Pho­to­shop CS2    14:34    03/06

Picasa 2 Essen­tial Train­ing    4:19    10/05

Get­ting Started with Paint Shop Pro X    4:14    09/05

iPhoto 5 Essen­tial Train­ing    4:39    08/05

Fam­ily Photography: Taking and Shar­ing Great Pho­tographs    5:12    07/05

Pho­to­shop Ele­ments 3 Essen­tial Train­ing    10:56    07/05

Pho­to­shop CS2 Essen­tial Train­ing    10:57    06/05

Enhanc­ing Dig­i­tal Pho­tog­ra­phy with Pho­to­shop CS    13:13    10/04

Dig­i­tal Pho­tog­ra­phy Prin­ci­ples    5:08    08/04

Learn­ing iLife: iTunes 4, iPhoto 2, iMovie 3 and iDVD 3    5:51    07/03

lynda.comDot5Hosting

 

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Fun With Topaz Labs Adjust

Topaz Labs Adjust

Topaz Labs Adjust 4 is a Pho­to­shop plug-in. It also works with Light­room, Aper­ture and oth­ers pro­grams. Adjust is pow­er­ful expo­sure, detail, color and noise adjust­ment fil­ter. You can cre­ate HDR like pho­tos from a sin­gle photo. Adjust can also turn a plain photo into a stun­ning fine art photo in just min­utes. You are only lim­ited by your own imag­i­na­tion. Once you have cre­ated what you like, you can save the set­tings as a pre­set for your future work. I like Topaz Labs Adjust  4 for its abil­ity to bring back the color, detail and expo­sure to what I saw when I first pho­tographed an object. I also used Adobe Light­room for some minor final adjust­ments. I can highly rec­om­mend Topaz Labs Adjust and all the other plug-ins in the Topaz Labs bun­dle. I use them all. The Video below has some exam­ples of before and after pho­tos using Topaz Labs Adjust 4.


Adobe Lightroom 3

<a href="http://www.linkedtube.com/vsQ9BYo3hZ4a000a889bd29b2c7d7474e0dbe2a8e07.htm" _mce_href="http://www.linkedtube.com/vsQ9BYo3hZ4a000a889bd29b2c7d7474e0dbe2a8e07.htm">LinkedTube</a>

Music by Jimmy Gel­haar. All music made avail­able through the www.jimmygelhaar.com web­site at:
www.jimmygelhaar.com — Film Com­poser and Music Downloadss

You can down­load Topaz Labs Adjust 4 as a free trial and start using it in just a few minutes.

Along with Topaz Lab Adjust 4  you get a down­load user guides, learn­ing cen­ter with video tuto­ri­als, user forum, tech sup­port, and user galleries.

Com­pat­i­bil­ity

The plug-in Topaz Lab Adjust 4 is com­pat­i­ble with:

Mac sys­tem:  OS 10.4, 10.5  10.6

Mac soft­ware: Adobe Pho­to­shop CS3-CS5, Adobe Pho­to­shop Ele­ments 6–9, Apple Aper­ture 2 and 3, Adobe Light­room 2 and 3, Apple iPhoto

Please note: Aper­ture, Light­room and iPhoto require the free Topaz Fusion Express soft­ware add on.

Win­dows Sys­tems: Win­dows XP,  Win­dows Vista,  Win­dows 7 (32-bit and 64-bit all Win­dows versions)

Win­dows soft­ware: Adobe Pho­to­shop CS3-CS5 (32-bit and 64-bit), Adobe Pho­to­shop Ele­ments 6–9, Adobe Light­room 2 and 3 with the free Topaz Fusion Express soft­ware add on, Irfan­view, PaintShop Pro, Photo and Serif Photo Plus.

1 GB RAM Min­i­mum for both Mac and Windows

Not com­pat­i­ble with the Pow­erPC proces­sors like G4 or G5.

 

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